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  for Isa Yap, who understood Harrow too well, and without whom so much of me would not have happened

  and

  for pT

  ♦

  DRAMATIS PERSONAE

  The Emperor of the Nine Houses

  “A.L.”, his guardian

  Augustine the First

  Alfred Quinque, his cavalier

  FIRST SAINT TO SERVE THE KING UNDYING

  Mercymorn the First

  Cristabel Oct, her cavalier

  SECOND SAINT TO SERVE THE KING UNDYING

  ORTUS the First

  Pyrrha Dve, his cavalier

  THIRD SAINT TO SERVE THE KING UNDYING

  Cassiopeia the First

  Nigella Shodash, her cavalier

  FOURTH SAINT TO SERVE THE KING UNDYING

  Cyrus the First

  Valancy Trinit, his cavalier

  FIFTH SAINT TO SERVE THE KING UNDYING

  Ulysses the First

  Titania Tetra, his cavalier

  SIXTH SAINT TO SERVE THE KING UNDYING

  Cytherea the First

  Loveday Heptane, her cavalier

  SEVENTH SAINT TO SERVE THE KING UNDYING

  Anastasia the First

  Samael Novenary, her cavalier

  Ianthe the First

  Naberius Tern, her cavalier

  EIGHTH SAINT TO SERVE THE KING UNDYING

  Harrowhark the First

  NINTH SAINT TO SERVE THE KING UNDYING

  One for the Emperor, first of us all;

  One for his Lyctors, who answered the call;

  One for his Saints, who were chosen of old;

  One for his Hands, and the swords that they hold.

  Two is for discipline, heedless of trial;

  Three for the gleam of a jewel or a smile;

  Four for fidelity, facing ahead;

  Five for tradition and debts to the dead;

  Six for the truth over solace in lies;

  Seven for beauty that blossoms and dies;

  Eight for salvation no matter the cost;

  Nine for the Tomb, and for all that was lost.

  Prologue

  THE NIGHT BEFORE THE EMPEROR’S MURDER

  YOUR ROOM HAD LONG AGO plunged into near-complete darkness, leaving no distraction from the great rocking thump—thump—thump of body after body flinging itself onto the great mass already coating the hull. There was nothing to see—the shutters were down—but you could feel the terrible vibration, hear the groan of chitin on metal, the cataclysmic rending of steel by fungous claw.

  It was very cold. A fine shimmer of frost now coated your cheeks, your hair, your eyelashes. In that smothering dark, your breath emerged as wisps of wet grey smoke. Sometimes you screamed a little, which no longer embarrassed you. You understood your body’s reaction to the proximity. Screaming was the least of what might happen.

  God’s voice came very calmly over the comm:

  “Ten minutes until breach. We’ve got half an hour of air-con left … after that, you’ll be working in the oven. Doors down until the pressure equalizes. Conserve your temp, everyone. Harrow, I’m leaving yours closed as long as possible.”

  You staggered to your feet, limpid skirts gathered in both hands, and picked your way over to the comm button. Scanning for something damning and intellectual to say, you snapped: “I can take care of myself.”

  “Harrowhark, we need you in the River, and while you are in the River your necromancy will not work.”

  “I am a Lyctor, Lord,” you heard yourself say. “I am your saint. I am your fingers and gestures. If you wanted a Hand who needed a door to hide behind—even now—then I have misjudged you.”

  From his far-off sanctum deep within the Mithraeum, you heard him exhale. You imagined him sitting in his patchy, worn-out chair, all alone, worrying his right temple with the thumb he always worried his right temple with. After a brief pause, he said: “Harrow, please don’t be in such a hurry to die.”

  “Do not underestimate me, Teacher,” you said. “I have always lived.”

  You picked your way back through the concentric rings of ground acetabula you had laid, the fine gritty layers of femur, and you stood in the centre and breathed. Deep through the nose, deep out the mouth, just as you had been taught. The frost was already resolving into a fine dew misting your face and the back of your neck, and you were hot inside your robes. You sat down with your legs crossed and your hands laid helplessly in your lap. The basket hilt of the rapier nudged into your hip, like an animal that wanted feeding, and in a sudden fit of temper you considered unbuckling the damn thing and hurling it as hard as you possibly could to the other side of the room; only you worried how pitifully short it would fall. Outside, the hull shuddered as a few hundred more Heralds assembled on its surface. You imagined them crawling over one another, blue in the shadow of the asteroids, yellow in the light of the nearest star.

  The doors to your quarters slid open with an antique exhalation of gas levers. But the intruder did not set off the traps of teeth you’d embedded in its frame, nor the gobbets of regenerating bone you had gummed onto the threshold. She stepped over the threshold with her cobwebby skirts rucked high on her thighs, teetering like a dancer. In the darkness her rapier was black, and the bones of her right arm gleamed an oily gold. You closed your eyes to her.

  “I could protect you, if you’d only ask me to,” said Ianthe the First.

  A tepid trickle of sweat ran down your ribs.

  “I would rather have my tendons peeled from my body, one by one, and flossed to shreds over my broken bones,” you said. “I would rather be flayed alive and wrapped in salt. I would rather have my own digestive acid dripped into my eyes.”

  “So what I’m hearing is … maybe,” said Ianthe. “Help me out here. Don’t be coy.”

  “Do not pretend to me that you’re here for anything other than to look after an investment.”

  She said, “I came to warn you.”

  “You came to warn me?” Your voice sounded flat and affectless, even to you. “You came to warn me now?”

  The other Lyctor approached. You did not open your eyes. You were surprised to hear her crunch through your metrical overlay of bone, to kneel without flinching on the grim and powdery carpet beneath her. You would never sense Ianthe’s thanergy, but the darkness seemed to give you an immense attunement to her fear. You felt the hairs rise on the back of her forearms; you heard the hammering of her wet and human heart, her scapulae drawing together as she tensed her shoulders. You smelled the reek of sweat and perfume: musk, rose, vetiver.

  “Nonagesimus, nobody is coming to save you. Not God. Not Augustine. Nobody.” There was no mockery in her voice now, but there was something else: excitement, perhaps, or unease. “You’ll be dead within the first half hour. You’re a sitting duck. Unless there’s something in one of those letters I don’t know about, you’re out of tricks.”

  “I have
never been murdered before, and I truly don’t intend to start now.”

  “It’s over for you, Nonagesimus. This is the end of the line.”

  You were shocked into opening your eyes when you felt the girl opposite cup your chin in her hands—her fingers febrile compared to the chilly shock of her gilded metacarpal—and put her meat thumb at the corner of your jaw. For a moment you assumed that you were hallucinating, but that assumption was startled away by the cool nearness of her, of Ianthe Tridentarius on her knees before you in unmistakable supplication. Her pallid hair fell around her face like a veil, and her stolen eyes looked at you with half-beseeching, half-contemptuous despair: blue eyes with deep splotches of light brown, like agate.

  Looking deep into the eyes of the cavalier she murdered, you realised, not for the first time, and not willingly, that Ianthe Tridentarius was beautiful.

  “Turn around,” she breathed. “Harry, all you have to do is turn around. I know what you’ve done, and I know how to reverse it, if only you’d ask me to. Just ask; it’s that easy. Dying is for suckers. With you and me at full power, we could rip apart this Resurrection Beast and come away unscathed. We could save the galaxy. Save the Emperor. Let them talk back home of Ianthe and Harrowhark—let them weep to speak of us. The past is dead, and they’re both dead, but you and I are alive.

  “What are they? What are they, other than one more corpse we’re dragging behind us?”

  Ianthe’s lips were cracked and red. There was naked entreaty on her face. Excitement, then, not unease.

  This was, as you understood it dimly, the psychological moment.

  “Go fuck yourself,” you said.

  The Heralds came plopping down onto the hull like rain. Ianthe’s face froze back into its white and mocking mask, and she dropped your jaw—untangled her restless fingers and her awful gold-shod bones.

  “I didn’t think this was the time for dirty talk, but I can roll with it,” she said. “Choke me, Daddy.”

  “Get out.”

  “You always did think obstinacy the cardinal virtue,” she remarked, quite apropos of nothing. “I think now, perhaps, you should have died back at Canaan House.”

  “You should have killed your sister,” you said. “Your eyes don’t match your face.”

  Over the comm, the Emperor’s voice came, just as calm as before: “Four minutes until impact.” And, like a tutor chiding inattentive children: “Make sure you’re in place, girls.”

  Ianthe turned away without violence. She stood and trailed her human fingers over the wall of your quarters—over the cool filigreed archway, over the polished metal panels and inlaid bone—and said, “Well, I tried, and therefore no one should criticize me,” before ducking through the arch to the foyer beyond. You heard the door shut behind her. You were left profoundly alone.

  The heat rose. The station must have been completely smothered: wrapped in a squirming shroud of thorax and wing, mandible and antenna, the dead couriers of a hungry stellar revenant. Your communicator crackled with static, but there was only silence at the other end. There was silence in the lovely passageways of the Mithraeum, and there was a hot and sweating silence in your soul. When you screamed, you screamed without sound, your throat muscles gulping mutely.

  You thought about the flimsy envelope addressed to you that read, To open in case of your imminent death.

  “They’re breaching,” said the Emperor. “Forgive me … and give it hell, children.”

  Somewhere far off on the station there was a warping crunch of plex and metal. Your knees became jelly, and you would have collapsed to the floor in a spasm had you not been sitting. With your fingers you closed your eyes, and you wrestled yourself into stillness. The darkness got darker and cooler as the first shield of perpetual bone cocooned you—the act of a fool, meaningless, doomed to dissolve the moment you submerged—then the second, then the third, until you were lost in an airless and impregnable nest. Throughout the Mithraeum, five pairs of eyes closed in concert, one of them yours. Unlike theirs, yours would not open again. In half an hour, no matter what Teacher might hope, you would be dead. The Lyctors of the Resurrecting Emperor began their long wade into the River to where the Resurrection Beast squatted—just out of the orbit of the Mithraeum, half-alive, half-dead, a verminous liminal mass—and you waded with them, but your meat you left vulnerably behind.

  “I pray the tomb is shut forever,” you heard yourself saying aloud, and you could not bring your voice above a choked whisper. “I pray the rock is never rolled away. I pray that which was buried remains buried, insensate, in perpetual rest with closed eye and stilled brain. I pray it lives … O corse of the Locked Tomb,” you extemporised wildly. “Beloved dead, hear your handmaiden. I loved you with my whole rotten, contemptible heart—I loved you to the exclusion of aught else—let me live long enough to die at your feet.”

  Then you went under to make war on Hell.

  * * *

  Hell spat you back out. Fair enough.

  You did not wake up having passed into the thanergetic space that was the sole province of the dead, and the necromantic saints who fought the dead; you woke up in the corridor outside your rooms, on your side and broiling, gasping for air, soaked right through with sweat—your own—and blood—your own; the blade of your rapier leered through your stomach, punctured through from behind. The wound was not a hallucination or a dream: the blood was wet, and the pain was terrible. Your vision was already curling up black at the edges as you tried to close the rent—tried to sew your viscera shut, cauterize the veins, stabilize the organs whimpering into shutdown—but you were far too gone already. Even if you had wanted it, the imminent death letter would not be yours to read. All you could do was lie gasping in a pool of your own fluids, too powerful to die quickly, too weak to save yourself. You were only half a Lyctor, and half a Lyctor was worse than not a Lyctor at all.

  Outside the plex, the stars were blocked by the skittering, buzzing Heralds of the Resurrection Beast, beating their wings furiously to roast everything inside. From very far away you thought you heard the ring of swords, and you flinched at each bright scream of striking metal. You had loathed that sound from birth.

  You prepared to die with the Locked Tomb on your lips. But your idiot dying mouth rounded out three totally different syllables, and they were three syllables you did not even understand.

  PARODOS

  FOURTEEN MONTHS BEFORE THE EMPEROR’S MURDER

  IN THE MYRIADIC YEAR OF OUR LORD—the ten thousandth year of the King Undying, our Resurrector, the full-pitying Prime!—the Reverend Daughter Harrowhark Nonagesimus sat on her mother’s sofa and watched her cavalier read. She idly fretted her thumbnail into a decaying brocade skull on the cover, carelessly destroying in a second long years of labour by some devoted anchorite. The mandible unravelled beneath the pad of her thumb.

  Her cavalier sat very upright in the study chair. It had not taken anyone of comparable bulk since his father’s day, and was now in danger of a final fatal sag. He had tucked his considerable frame tight within its borders as though breaching them might cause Incident; and she knew full well that Ortus hated Incident.

  “No retainers. No attendants, no domestics,” read Ortus Nigenad, folding the paper with obsequious care. “Then I will wait on you alone, my Lady Harrowhark?”

  “Yes,” she said, vowing to keep her patience as long as possible.

  “No Marshal Crux? No Captain Aiglamene?”

  “In fact, no retainers, no attendants, and no domestics,” said Harrow, losing her patience. “I believe you’ve cracked the elaborate code. It will be you, the cavalier primary, and me, the Reverend Daughter of the Ninth House. That’s all. Which I find … suggestive.”

  Ortus did not seem to find it suggestive. His dark eyes were downcast behind their thick black lashes, the sort Harrowhark had always fancied you might get on some nice domestic mammal, like a hog. He was perennially downcast, and not out of modesty; the faint crow’s feet trampling each
eye were lines of sadness; the fine creases at his forehead were a careful act of tragedy. She was glad to see that someone—maybe his mother, the mawkish Sister Glaurica—had painted his face as his father had once painted his own, with a solid black jaw to represent the Mouthless Skull. This was not because she had any especial love for the Mouthless Skull, as paint sacrament went. It was merely because any jawéd skull he affected became a wide white skull with depression.

  After a moment, he said abruptly: “Lady, I cannot help you become a Lyctor.”

  She was only surprised that he dared to offer an opinion. “That’s as may be.”

  “You agree with me. Good. I thank you for your mercy, Your Grace. I cannot represent you in a formal duel, not with the sword, nor the short sword, nor the chain. I cannot stand in a row of cavaliers primary and call myself their peer. The falsehood would crush me. I cannot begin to conceive of it. I will not be able to fight for you, my Lady Harrowhark.”

  “Ortus,” she said, “I have known you my entire life. Did you really think I entertained any delusions that you could be mistaken, in the dark, by a dementia-ridden dog raised with no knowledge of bladed objects, for a swordsman?”

  “Lady, it is only to honour my father that I call myself a cavalier,” said Ortus. “It is for my mother’s pride and my House’s scarcity that I call myself a cavalier. I have none of a cavalier’s virtues.”

  “I am not sure how many times I must relay to you how truly I am aware of that,” said Harrowhark, picking a tiny fragment of jet thread from her fingernail. “Given that it has constituted one hundred percent of our exchanges over the years, I can only assume you are coming to some new point, and begin to feel excitement.”